Описание книги
Most of what we know about Leonardo da Vinci, we know because of his notebooks. Some 6,000 sheets of notes and drawings survive, which represent perhaps one-fifth of what he actually produced. In them he recorded everything that interested him in the world around him, and his study of how things work. With an artist's eye and a scientist's curiosity he studied the movement of water and the formation of rocks, the nature of flight and optics, anatomy, architecture, sculpture, and painti...
Most of what we know about Leonardo da Vinci, we know because of his notebooks. Some 6,000 sheets of notes and drawings survive, which represent perhaps one-fifth of what he actually produced. In them he recorded everything that interested him in the world around him, and his study of how things work. With an artist's eye and a scientist's curiosity he studied the movement of water and the formation of rocks, the nature of flight and optics, anatomy, architecture, sculpture, and painting. He jotted down fables and letters and developed his belief in the sublime unity of nature and man. Through his notebooks we can get an insight into Leonardo's thoughts, and his approach to work and life.
This selection offers a cross-section of his writings, organized around coherent themes. Fully updated, this new edition includes some 70 line drawings and a Preface by Martin Kemp, one of the world's leading authorities on Leonardo. Книга «Notebooks» автора Леонардо да Винчи оценена посетителями КнигоГид, и её читательский рейтинг составил 0 из 10.
Для бесплатного просмотра предоставляются: аннотация, публикация, отзывы, а также файлы для скачивания.
- Просмотров: 135
- Рецензий: 0
- Переводчики: не указаны
- Серия: Oxford World's Classics
- ISBN (EAN): 9,7802E+12
- Языки: Английский
- Возрастное ограничение: не указано
- Год написания: 2008
0 оценок
Посмотрите еще
`I sing of knights and ladies, of love and arms, of courtly chivalry, of courageous deeds.' So begins Ariosto's Orlando Furioso (1532), the culmination of the chivalric legends of Charlemagne and the Saracen invasion of France. It is a brilliantly witty parody of the medieval romances, and a fitting monument to the court society of the Italian Renaissance which gave them birth. This unab...
The name of the Marquis de Sade is synonymous with the blackest corners of the human soul, a byword for all that is foulest in human conduct. In his bleak, claustrophobic universe, there is no God, no morality, no human affection, and no hope. Power is given to the strong, and the strong are murderers, torturers, and tyrants. No quarter is given; compassion is the virtue of the weak. Yet Sade w...
Thomas Paine was the first international revolutionary. His Common Sense (1776) was the most widely read pamphlet of the American Revolution; his Rights of Man (1791-2) was the most famous defence of the French Revolution and sent out a clarion call for revolution throughout the world. He paid the price for his principles: he was outlawed in Britain, narrowly escaped execution in France, and was v...
The Victorian fin de siecle has many associations: the era of Decadence, The Yellow Book, the New Woman, the scandalous Oscar Wilde, the Empire on which the sun never set. This heady brew was caught nowhere better than in the revival of the Gothic tale in the late Victorian age, where the undead walked and evil curses, foul murder, doomed inheritance and sexual menace played on the stretched nerve...
'Dangerous as lucifer matches.' That was how Arthur Nicholls, Charlotte Bronte's husband for the last nine months of her life, described her letters. Full of acute observations, pithy character sketches, and passionate convictions, the letters are our most direct source of information about the lives of the Brontes and our closest approach to the author of Jane Eyre. In them Char...
Написано 0 рецензий