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Автор Али Смит

<p>Ali Smith</p> <empty-line/> <p>Artful</p>

for Xandra Bingley

Emma Wilson

and

Sarah Wood

<p>~ ~ ~</p>

This book began life as four lectures given for the Weidenfeld Visiting Professorship in European Comparative Literature at St. Anne’s College, Oxford, in January and February 2012. The lectures are published here pretty much as they were delivered.

I owe a great debt of thanks to everyone at St. Anne’s for making this book happen at all, and for looking after me there with such care, cleverness, and grace. Huge thanks for their kindness to Tim Gardam, Sally Shuttleworth, Matthew Reynolds, and Lord Weidenfeld.

<p>Artful</p>

Don’t try to hold on to the wave

That’s breaking against your foot: so long as

You stand in the stream fresh waves

Will always keep breaking against it.

BERTOLT BRECHT translated by Gerhard Nellhaus
<p><strong>On time</strong></p>

‘The wind doth blow today, my love,

And a few small drops of rain;

I never had but one true-love,

In cold grave she was lain.

‘I’ll do as much for my true-love

As any young man may;

I’ll sit and mourn all at her grave

For a twelvemonth and a day.’

The twelvemonth and a day being up, I was still at a loss. If anything I was more at a loss.

So I went and stood in our study and looked at your desk, where the unfinished stuff, what you’d been working on last, was still neatly piled. I looked at your books, I took one of your books off a shelf at random—my study, my desk, my books, now.

The book I took down today happened actually to have been one of mine originally. It was a Dickens novel, Oliver Twist, the old Penguin edition I’d had at university, with a spine whose orange had almost completely faded and a jolly engraving of drunks and children in a pub on the cover, which was beginning to peel away from the spine. It would probably stand one more read. I’d not read Oliver Twist since, oh god, when? way before we even first knew each other, I’d had to, for university, so that made it thirty years.

That gave me a shake. A twelvemonth and a day can arguably be called short, but thirty years? How could thirty years be the blink-of-the-eye it felt? It was the difference between black and white footage of the Second World War and David Bowie on Top of the Pops singing Life on Mars; it was the size of a grown woman with four children, one of them nearly old enough, if the woman started very early, to be doing A-levels. They definitely weren’t called A-levels any more.

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