Sjón
Moonstone: The Boy Who Never Was
To slip into your shadow under cover of night.
To follow your footsteps, your shadow at the window.
That shadow at the window is you and no one else; it’s you.
Do not open that window behind whose curtains you’re moving.
Shut your eyes.
I’d like to shut them with my lips.
But the window opens and the breeze, the breeze
which strangely balances flame and flag surrounds my escape
with its cloak.
The window opens: it’s not you.
I knew it all along.
I (October 12–13, 1918)
i
The October evening is windless and cool. There is a distant throb of a motorcycle. The boy puts his head on one side to get a better fix on the sound. Holding it still, he tries to work out the distance; to hear if the bike is coming closer or moving away; if it’s being ridden over level or marshy ground, or up the stony slope on the town side of the hill.
A low groan escapes the man standing over the kneeling boy. With his back pressed to the cliff, the man appears to have merged with his own shadow, become grafted to the rock. He groans again, louder, in increasing frustration, thrusting his hips so his swollen member slides to and fro in the boy’s mouth.
The boy expels a breath through his nose. He sucks the penis more firmly between his lips and resumes the rhythmic back-and-forth movements of his head. But he does so more slowly, more quietly, than before, alternately rubbing the dome of the cock against his soft palate and wrapping his tongue around its shaft.
That way he can do both at once: fellate the man and listen. He’s good at identifying the model by ear. There aren’t that many bikes in Iceland, after all, and their owners have taken to tuning them according to their own ideas in the hope of coaxing more power out of them. This could well be an Indian: the stroke of its engine is sharper than a Harley-Davidson’s.He closes his eyes. Yes, not just any Indian but
The man pushes against the movements of the boy’s head, which tells the boy he’s close to finishing. As he sucks, he grips the man’s cock in his hand and rubs it fast, in time to the throbbing of the engine, tightening his grip whenever the bike accelerates and the engine sings. It has the desired effect. The man presses himself harder against the cliff. Mumbled words escape from between his clenched teeth; snatches of the lewd scenes he is staging in his mind.
The counterpoint between the ever-louder throbbing of the engine and the movements of head and hand causes the boy’s flesh to stiffen as well. And although he had been intending to save himself this evening, he cannot resist slipping his free hand into his trouser pocket and stroking himself in time to his servicing of the man.