Rainbow’s End
Felse Family 13
A 3S digital back-up edition 2. 0
click for scan notes and proofing history
Contents
|1|2|3|4|5|6|7|8|9|10|11|
A NICE DERANGEMENT OF EPITAPHS
BLACK IS THE COLOUR OF MY TRUE LOVE’S HEART
THE KNOCKER ON DEATH’S DOOR
THE HEAVEN TREE trilogy
(Ellis Peters writing as Edith Pargeter)
THE HEAVEN TREE THE GREEN BRANCH THE SCARLET SEED
CHAPTER ONE
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The gate-posts, until recently shorn of their crests and leaning drunkenly out of true, now stood up regally on either side of the drive, crowned with a pair of baronial lions, gripping in their paws escutcheons certainly not native either to the building, which was in fact a rather monstrous eighteenth-century vicarage, built by a wealthy pluralist in the days when such remote parishes carried a stipend fit for a prince, or the present owner, who was a come-lately antique dealer from Birmingham, the first landlord since 1800 to be able to duplicate the founder’s extravagant fancies. No doubt the lions had been acquired in the course of business, but they looked sufficiently imposing, looming whitely in the early September dusk between dark-rose brick, and backed by clipped, cavern-dark cypresses. And hadn’t the gate-posts themselves been upped by a couple of feet, to tower so high above George Felse’s Volkswagen as he drove in? It was a fair preparation for what was to come.
The drive was newly-surfaced, the grass on either side shorn like a second-year lamb. Nicely-spaced cypresses accompanied the traveller, with the occasional life-size nymph or satyr, possibly marble, probably lead, posed against their darkness in antique pallor. Posed, as George noted, very tastefully, every dimension studied as meticulously as if this remote upper end of Middlehope, the rim of the world between England and Wales in these parts, had been the serene preserve of Stourhead, in Wiltshire, the final perfection of the landscape garden in these islands. Every tree placed with care, every vista calculated with the precision of a master-photographer, every view not so much an accident of nature as a dramatic composition. Between the trees sudden blazons of flowers shone in noble golds and burnished bronzes, like flares lit in the cradling dark.
‘How long did you say he’d been installed here?’ asked Bunty dubiously, hunching her right shoulder against her husband’s left, like a loyal colleague in a battle-line closing ranks.
‘Three months. Oh, I’ve no doubt most of these garden-gods were lying around here, it was that sort of set-up once before.
Either flat on their faces or breast-deep in grass and shrubs. It wouldn’t take so long to get them set up again. And from all accounts he’s got the money to indulge his fancy. They’ll be glad of the jobs, they’re hanging on by their teeth here, the older ones. The kids head on out, more’s the pity. He could be a blessing if he employs local labour. ’‘He knows his stuff,’ admitted Bunty, gazing wide-eyed at the Psyches and Graces flickering by. Bunty knew hers, though her field was music rather than landscaping, and could appreciate authority when it showed. So why wasn’t she happy? Three months isn’t very long, and the extreme head of a valley climbing over frontier hills from England into Wales is hypersensitive territory, critical and aloof, resentful of mere mechanical aids like expertise.