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The Monster's Corner:

Stories Through Inhuman Eyes edited by Christopher Golden

MONSTROSITY: AN INTRODUCTION

ANYONE WHO HAS EVER READ my work, or even glanced at my Website, will already know that I love monsters. Not in the manner of some passing fancy, the way teenagers express their — OMG — love for those shoes, that dress, this hat. Nor can my love for monsters be compared to your love of ice cream or pizza or pad thai or whatever makes you salivate. It is an enduring love. A love that comes with a deep and abiding connection, an understanding, a knowing.

One of my earliest childhood memories is of sitting on the back porch of my house on Fox Hill Road in Framingham, Massachusetts, with the little black-and-white TV my mother sometimes had on in the kitchen and watching Frankenstein for the first time. I might have been seven. When the monster finds a moment of joy with the little girl by the lake, laughing with her and tossing flower petals into the water until she is the only flower remaining to be plucked and cast …

Wow.

The moment terrified me and broke my heart, all at the same time. The monster didn’t know any better. He didn’t understand the world into which he had been thrust. He had been created with the power to do so much damage, to inflict so much brutality, and yet all he wanted was peace and laughter. When the monster is shown walking into the village with the dead girl in his arms and the villagers react with horror and hatred, the tragedy is complete.

I cried that day. I’m sure I cried in horror and in fear, but I know that my tears also sprang from my sadness for this creature whose monstrosity is no fault of his own.

In the years that followed, I developed a love for all kinds of monsters, thanks in large part to a television landscape that included Creature Double Feature and local programmers who filled their airwaves with Japanese giant monster movies, 1950s atomic nightmares, Hammer horror classics, and others in that vein. But it wasn’t just the movies. My favorite Bugs Bunny cartoons always had monsters in them. When I started reading comic books — or, rather, buying them on my own — I gravitated toward the wonderful horror comics Marvel published in the 1970s.

While there are monsters who are simply that and nothing more, who are truly evil and alien, there are so many more that inspired me to think and feel. The 1976 remake of King Kong, with Jeff Bridges, might not be very good (hey, I was nine, cut me some slack), but when Kong died at the end, it broke my heart. Even as an adult, when I watch the 1933 original, it touches me.

The Tomb of Dracula, the finest of the Marvel horror comics, gave us a Lord of Vampires who was terrifyingly evil, and yet astonishingly human and sympathetic as written by Marv Wolfman and drawn by Gene Colan. His behavior was monstrous, and yet readers could not help but feel for him.