FOR ASHLEY MAILE,
A GREAT ROCK ’N’ ROLL PHOTOGRAPHER
Contents
Foreword: Thank You for the Venom
1: GIVE ’EM HELL, KID
2: EARLY SUNSETS OVER MONROEVILLE
3: THIS IS THE BEST DAY EVER
4: I BROUGHT YOU MY BULLETS, YOU BROUGHT ME YOUR LOVE
5: HEADFIRST FOR HALOS
6: THREE CHEERS FOR SWEET REVENGE
7: PARTY POISON
8: I’M NOT OKAY
9: BURN BRIGHT
10: HEAVEN HELP US
11: WELCOME TO THE BLACK PARADE
12: HANG ’EM HIGH
13: PLANETARY (GO!)
14: THE JETSET LIFE IS GONNA KILL YOU
15: DROWNING LESSONS
16: MY LOVENOTE HAS GONE FLAT
17: SAVE YOURSELF
18: DANGER DAYS, HERE WE COME AGAIN
19: LOOK ALIVE, SUNSHINE
20: DISENCHANTED
21: DEAD!
Acknowledgements
Sources
Picture Acknowledgements
About the Author
List of Illustrations
Foreword: Thank You for the Venom
The first time I met My Chemical Romance, we were in New York. It was August 2004, a few months after their second album
The city was hot and muggy, and our photo shoot was on the shoreline of the Hudson River. The New Jersey where they grew up was outlined behind them, the bustle and energy of New York stood before them, almost like a metaphor for the way their career would take off from that point.
Gerard Way, chain-smoking, was fascinated with what the photographer Tony Wooliscroft was looking for. The singer was wearing the cheap black suit and striped black and white tie that was his uniform back then. It was the same suit he had worn all across the Warped Tour that summer, the same suit he had performed, drunk and flown across the world in for months. It did not smell good. But it looked fantastic. Alongside his band, in jeans and T-shirts next to him, he pulled pose after pose. He looked, I remember thinking at the time, like a star.
Mikey Way, Gerard’s brother, was quiet that day. He fooled around with drummer Bob Bryar, who had been a member of the band for only a matter of days at that point.
Ray Toro and Frank Iero were both polite and friendly. Frank was relaxed and cracked sharp jokes, but later in the interview he was intense and passionate. Ray was happier to take a back seat, but when he did speak it was obvious that everyone else listened and deferred to him. He seemed like the band’s quiet mastermind, while Gerard seemed its visionary. That would make Frank, I remember noting down, the beating heart.As the photo shoot finished, a great clap of thunder rolled luxuriously through the sky. A torrential summer downpour burst across the city. Caught out in it, we got soaked. We ran for cabs and I ended up sitting next to Gerard as we drove to my hotel for the interview. That was a mistake. New York became humid in the rain, and the taxi heated up quickly. Gerard’s jacket began to steam: it reeked of sweat, of booze, of backstages and cigarettes; it smelled of the dirt of touring, the stench of truck stops and the rottenness of the road.