Читать онлайн «The Last Judgement»

To my parents

Contents

Some of the pictures and buildings mentioned inthis book exist, others are invented and all thecharacters are imaginary. There is an Italian artsquad in a building in central Rome, but I havearbitrarily shifted its affliction from theCarabinieri to the Polizia to emphasize that minehas no relation to the original.

Jonathan Argyll stared transfixed at the scene of violence that suddenly presented itself as he turned around. The dying man, tormented by agony but bearing the pain with fortitude, lay back in a chair. On the floor beside him was a phial that had dropped from his hand; it took little intelligence to realize it had contained poison. The skin was pale and his hand, clenched into a fist, hung down loosely towards the ground. To the left was a group of onlookers, friends and admirers, variously weeping, angry or merely shocked at the sight.

It was the face, though, that grabbed the attention. The eyes were open and glazed, but it had dignity and tranquillity. It was the face of a martyr, who died knowing that others would mourn him. Death would not end his renown, but merely extend and complete it.

‘Nice, eh?’ came the voice at his side.

‘Oh, yes. Very. ’

He squinted in a professional fashion. Death of Socrates, at a rough guess, complete with disciples in attendance. Just after the old buffer has been sentenced to death for corrupting youth and drinks the hemlock. Not bad stuff, on the whole, but liable to be expensive. French school about 1780, or thereabouts, and much more pricey bought in Paris than elsewhere. The thought, as so often, dampened his ardour. He looked again, and reassured himself that maybe it wasn’t so desirable after all. Evidently not a well-known artist, he told himself. Needed a bit of a wash and brush up.

Still, one must make conversation. ‘How much are you asking for this?’ he asked.

‘Sold already,’ the gallery-owner replied. ‘At least, I think it is. I’m just about to send it off to a client in Rome. ’

‘Who did it?’ Argyll asked, mildly jealous to hear of anybody managing to sell a painting. He hadn’t managed to unload one himself for months. Not at a profit, anyway.

‘It’s signed by Jean Floret. Who he was I have no idea, but not what you might call a major figure. Fortunately that doesn’t seem to bother my client, God bless him. ’

The man, a distant colleague of Argyll’s who had taken one or two drawings off him in the past, gazed with a satisfied expression at the painting. He was not a hugely pleasant character; a bit too sharp round the edges for Argyll’s taste. The sort of person where you made sure to check your pockets when leaving his company, just to make certain all the chequebooks and credit cards were still in place. Not that he’d ever done anything bad to Argyll, but the Englishman was determined to make sure he never got the chance, either. He was learning fast about the art business. People were friendly enough, and helpful enough, but occasionally came over a bit funny when money was involved.