Ken Macleod
Cosmonaut Keep
and one of the chiefe trees or posts at the right side of the entrance had the barke taken off, and 5 foote from the ground in fayre Capitall letters was graven CROATOAN without any crosse or signe of distresse
0 Prologue
You’re not here. Try to remember this. Try not to remember where you really are.
You are in a twisty maze of dark corridors, all alike. You slide down the last of them as smoothly as a piston in a syringe, and are then ejected into the suddenly overwhelming open space of the interior. Minutes ago, you saw outer space, the universe, and the whole shebang itself didn’t look bigger than this. Outer space is, fundamentally, familiar. It’s only the night sky, without the earth beneath your feet.
This place is fundamentally unfamiliar. It’s twenty miles long and five high and it’s bigger than anything you’ve ever seen. It’s a room with a world inside it.
To them, it’s a bright world. To us it’s a dark, cold cavern. To them, our most delicate probes would be like some gigantic spaceship hovering on rocket jets over one of our cities, playing searchlights of intolerable brightness across everything. That’s why we’re seeing it through their eyes, with their instruments, in their colors. The translation of the colors has more to do with emotional tone than the electromagnetic spectrum; a lot of thought, ours and theirs, has gone into this interpretation.
So what you see is a warm, rich green background, speckled with countless tiny, lively shapes in far more colors than you have names for. You think of jewels and hummingbirds and tropical fish.
In fact the comparison with rainforest or coral reef is close to the mark. This is an ecosystem more complex than that of the whole Earth. As the viewpoint drifts closer to the surface you recall pictures of cities from the air, or the patterns of silicon circuitry. This, too, is apt: here, the distinction between natural and artificial is meaningless.The viewpoint zooms in and out: from fractal snowflakes, rainbow-hued, in kaleidoscopic motion, to the vast violet-hazed distances and perspectives of the habitat, making clear the multiplicity and diversity of the place, the absence of repetition. Everything here is unique; there are similarities, but no species.
You can’t shut it off; silently, relentlessly, the viewpoint keeps showing you more and more, until the inhuman but irresistible beauty of the alien garden or city or machine or mind harrows your heart. It will not let you go, unless you bless it; then, just as you fall into helpless love with it, it expels you, returning you to your humanity, and the dark.
1 Ship Coming In
A god stood in the sky high above the sunset horizon, his long white hair streaming in the solar wind. Later, when the sky’s color had shifted from green to black, the white glow would reach almost to the zenith, its light outshining the Foamy Wake, the broad band of the Galaxy. At least, it would if the squall-clouds scudding in off the land to the east had cleared by then. Gregor Cairns turned his back on the C. M. Yonge’s own foamy wake, and looked past the masts and sheets at the sky ahead. The clouds were blacker and closer than they’d been the last time he’d looked, a few minutes earlier. Two of the lugger’s five-man crew were already swinging the big sail around, preparing to tack into the freshening wind.