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Автор - Натали Сиретт
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About Natalie SirettNatalie Sirett has taught in schools in Islington, Haringey and Barnet. She has ten years teaching experience and her leadership roles include Early Years Manager, Art and Design Coordinator and Communication, Language and Literacy Co-ordinator. Natalie also works as a visiting artist, designing whole school creative projects, with an emphasis on embracing all cultures represented in that school’s community. Natalie is passionate about creating rich and active learning experi...

About Natalie SirettNatalie Sirett has taught in schools in Islington, Haringey and Barnet. She has ten years teaching experience and her leadership roles include Early Years Manager, Art and Design Coordinator and Communication, Language and Literacy Co-ordinator. Natalie also works as a visiting artist, designing whole school creative projects, with an emphasis on embracing all cultures represented in that school’s community. Natalie is passionate about creating rich and active learning experiences in the Early Years. She works with practitioners on redesigning Early Years environments to make the best possible provision of the Early Years Curriculum. She has particular expertise in phonics and early literacy.Natalie Sirett I create series of images that are connected by narrative, in whatever medium best suits the story I am telling. Sometimes these narratives are several years in the making. My current project, REVISIONS, is inspired by stories of family members that I heard as a child. My antecedents were wanderers: Scots searching for any kind of living, Jews fleeing the Tsar, Revolutionaries in search of a new world order. Many details of their tales turned out to be untrue, lost in the Diaspora, yet I was vividly connected to these people I had never met and places I have never been. Indeed, they are still an integral part of my sense of who I am. This begs the question: does the truth of one's history (or lack of it) matter? Much contemporary brain research suggests that memory is an active capacity, rather than a fixed record. If any of us are being remembered, then we are inevitably also being revised. REVISIONS is a series of etching, dry point and photo etching on steel. Steel, because it is the metal that takes the most punishment without dissolving and because a huge range of marks, tones and textures can be achieved. There is something in the gritty, yet soft-focus nostalgia of its character that makes etching the medium that best tells this collection of tall tales and half truths. LessEducation: HDip in Painting The Royal Academy Schools, London
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Рисуем оптические иллюзии
Рисуем оптические иллюзии

Создание иллюзий развивает творческое начало и открывает перед художником новый мир возможностей. В этой книге показаны методы, лежащие в основе удивительной работы иллюзионистов, исследуются темы реализма, орнамента, перспективы, света и тени. Пошаговое описание упражнений поможет создавать иллюзии в различных стилях, используя самые разные методы и материалы.

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